Frank Zappa, American composer and musician

• Date: 1951 - 1975 & 1976 - 1984 & 1985 - Present

• Location: USA

• Subject: Political/Economic/Social Opinion

• Medium: Music & Performance art

• Artist/Author/Producer: Frank Zappa and The Mothers of Invention

• Confronting Bodies: various

• Dates of action: 1965+

• Location: Los Angeles and the world

Description of the Art Work

Rather than try to describe Frank Zappa's 50-album oeuvre, here's the artist on how he works:

"It's like being a cook. And if you were a really good cook, and you had a lot of money for really excellent ingredients and really good equipment, then you could cook just about anything. But if you don't have all the gear . . . and you don't even own a cookbook, but you still want to eat, and nobody's going to cook it for you, then you better find some other way to improvise that dish. And that's kind of the way the stuff gets put together."

--from "Zappa!' magazine; interview by editor Don Menn Frank Zappa's music and professional career have always suffered as a victim of society's unwillingness to laugh at its own weaknesses. Satire is no fun when nobody is spared the whip of Zappa's tongue and the sting of his fiery, imaginative guitar playing. In 1965, when Zappa and his group, called The Mothers, were about to release their first LP "Freak Out" on MGM Records (featuring the song, "Who Are the Brain Police?"), the label told the group to change its name. "Out of necessity, we became the Mothers of Invention," Zappa writes in his autobiography, "The Real Frank Zappa Book," an indispensable tome for anyone interested in the master's colorful career.

Description of incident

During a Dutch music awards ceremony in 1968 (for the LP "We're Only In It for the Money") Zappa heard the album for the first time since he turned it into the record company. "I noticed that whole chunks of songs were missing. Someone at MGM had been offtable civil matter into a bogus obscenity trial, in the Old Bailey," according to Zappa. Detailed transcripts, featuring many lewd, sexual references, can be found in the autobiography, Chapter 7, "Drool, Britannia." On September 19, 1985, Zappa appeared before a Congressional hearing on explicit lyrics in popular music. The hearing was called at the behest of Top Government Officials whose wives included Susan Baker and Tipper Gore, founders of the Parents Music Resource Center (PMRC), which eventually waged a campaign of lies and pressure that forced the record industry to agree to "Warning Parental Ahere is total verbal/moral safety, there is only one way to achieve it: watch no TV, read no books, see no movies, listen to only instrumental music or buy no music at all." Ironically, one of Zappa's instrumental albums was stickered by a retail chain, many of which have strict "18 to buy" regulations on albums with "Tipper stickers." Zappa further ridiculed Gore's assertion that certain types of music could promote deviant behavior saying, "I wrote a song about dental floss but did anyone's teeth get cleaner?" There are many, many more censorship cases in Zappa's history, involving record companies, radio stations, TV stations, governments and retail stores. These are only pter 15 of his autobiography. Here is an excerpt: "If the goal here is total verbal/moral safety, there is only one way to achieve it: watch no TV, read no books, see no movies, listen to only instrumental music or buy no music at all." Ironically, one of Zappa's instrumental albums was stickered by a retail chain, many of which have strict "18 to buy" regulations on albums with "Tipper stickers." Zappa further ridiculed Gore's assertion that certain types of music could promote deviant behavior saying, "I wrote a song about dental floss but did anyone's teeth get cleaner?"

Results of incident

There are many, many more censorship cases in Zappa's history, involving record companies, radio stations, TV stations, governments and retail stores. These are only a few to get you started. Frank Zappa died December 4, 1993, of complications resulting from prostate cancer. He remains one of America's most respected contemporary musicians and free speech soldiers. In an article that appeared in the Capital Times (Madison, Wisconsin), music journalist Bill Paige said: "Zappa was dealing with the questions that [George] Orwell dealt with in another era--questions about conformity and the flow of information in a free society. I can't think of any artist today who so truly carried on in that tradition of social satirism. You'd be hard pressed to find someone who spoke so much truth about what was wrong in society, in government, in the music industry itself."

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Record no 392